Archives Posts
Paul Pope Draws Comics Like Tom Waits Sings Blues
Paul Pope is comics’ dark wizard with a foot in the world of fine art and one sqaurely planted in the world of four-color mass-produced pulp. A spiritual heir to Frank Miller’s throne, Pope’s drawings are simultaneously sensuous and completely cracked, a fusion of Egon schiele, manga and lashings of Ralph Steadman. Even if I didn’t speak English I’d feel Pope’s creepy, sexy genius seeping through the page and into my pores. His Batman: Year 100 (.pdf excerpt here) is an instant classic, but his own characters and storylines stand ahead of all the franchise work in the world.
“Airplanes” captures the brilliant sweet sadness of a goodbye between lovers that don’t want to part. Check it out here — it’s on Nerve.com, but safe for work.
Pope’s Flickr photostream is really, really fun. You can see sketches, finished works, drafts, a glimpse behind the curtain at the wizard’s work. I love this tablecloth sketch of Aragorn. I boosted the thing into my own stream so I could post it, but it’s worth seeing it in a larger size, with the artist’s notes.
I love this drawing of the Silver Surfer. It’s this fusion of Schiele and Jack Kirby, crackling with the power cosmic — and again, you’ve got to see it in full.
You can see his blog here, although it doesn’t update all that frequently. If you’re looking for more background, this story from a 2006 edition of Wired adds to the legend.
I’m pretty new to his work, myself, and I’m looking forward to a lot of long cold rainy days with time to dive deeper. And man — if Pope was as gifted with a tattoo machine as he is with pen and ink, I might have to reconsider my position on sleeve, neck and facial tattoos …




