I talked to a bunch of folks about it ahead of time, none of whom could make it out. Fair enough. Zach’s a nice young man, and was kind enough/self-promotional enough to post the video on Vimeo. Here it is, see for yourselves:
Do you ever make something and then just sit there looking at it because it thrills you so damn much? Maybe you can’t stop eating your own cooking — or listening to a riff you just recorded. It doesn’t have to merit a footnote in the history of all that has ever been created, but it tickles you in just such a way?
That’s how I feel about this photo of King King attacking my office, below. I’ve got a McFarlane King Kong toy on my desk, and I just snapped it against the view of the skyline from my office window. Ran it through a couple apps on the phone, then finished it off in Photoshop, and we now have a visual representation of my whole thing: monster movies, screaming giant gorillas, low-res output and a lot of love.
I love this kind of stuff. I have no idea if this is a legit piece of Congolese art or not, but I don’t even care. Stuff like this excites me so, so much. I read a lot about Congolese power figures back in college when I was majoring in art – they seemed so much more visceral and real to me than a lot of contemporary American work. One thing that really stuck with me was this:
Those nails aren’t acts of violence. They’re prayers for strength. It’s a holdover from a time when metal was precious and rare, valued for its strength and durability. So this could be a statue of a warrior, and each nail pounded into his spirit is a prayer that he stays strong, that he doesn’t flinch, and that he can take whatever gets hammered into him.
I like that a LOT. I don’t even know if it’s true in a literal sense, either. And I don’t even want to know. That’s how faith and myth get formed – you hear something that works for you and moves you in this way that you need to be moved. It’s something that confirms your sense of wonder and beauty, usually. And then it doesn’t even matter how it got into your head or why it’s supposed to be there. Your head and your heart don’t care, you make a pearl out of it all the same.
Have you ever noticed how some people put a pair of headphones in, and it’s like it’s the performance version of Thor’s hammer? Like by putting those buds into their ears, they are suddenly blessed with an incredible singing voice, perfect pitch and total invisibility? Put on some sunglasses and an iPod and all of a sudden nobody is on the train except Simon Cowell and Dr. Dre, and both of them are hiring. It’s kind of like having a low-budget version of Rock Band that only plays R&B.
You never hear anyone singing Coldplay or Dave Matthews, is all I’m saying. I prefer it that way.
And don’t get me wrong here — sure, sometimes the phenomenon is a little annoying. But other times it is completely the most awesome thing that can happen to your whole week, a beautiful, off-kilter accident.
Like this guy that sat across from me on the J Train last weekend singing Chris Brown’s “Winner.” Check this thing out, it’s beautiful. I love how he doesn’t let his performance stop him from pouring himself a little sip of something from his thermos, then gets his soul stole by the music before the cup hits his lips … and caps it all off with a shameless crotch scratch. Also of note is how quickly the guy next to him stops giggling and starts ignoring the whole thing.
Don’t let me spoil it for you, though – check this out for yourself. It’s stuff like this that reminds me that the world is alive and beautiful and full of strange surprises …
I saw this peeling, yellowed and filthy sign offering “Easy Credit” in a neglected storefront around the corner from my apartment the other day. I wonder if the store went out if business as a result of offering Easy Credit, or if it went out of business long before credit collapsed in this country.
Somebody came along with a marker and edited the sign to say “Easy Credit For Homicides.” I know there’s some serious gang activity in South Williamsburg – the wave of gentrification hasn’t created nearly as high as it has on the North side – but man, I hope that particular credit market has locked up, too. I just signed a yearlong lease by the Marcy stop on the JMZ …
My grandmother’s real name is Helen, but everyone in my family calls her Daro. It’s one of the first words I ever said, apparently — I just pointed at her and yelled it out and it stuck, simple as that.
Daro is 95 years old. She lied about her age her whole life until she turned 90, and then she started telling EVERYBODY. She’s a relentless self-promoter, a tireless artist, creator, and outsider poet. And man, she’s full of wisdom that she does not mind sharing at all.
Here’s some classic wisdom she shared with me when I visited her over Labor Day weekend:
We were sitting at the dinner table eating a home-cooked meal. Sort of. She proudly announced to me “I never use the oven anymore, Jeffrey. I just do everything up here in the microwave now, and it’s great!” We had some microwaved vegetable soup with a salad of romaine leaves covered with canned pears, and canned peaches. “Try some of the dressing I invented just tonight, Jeffrey,” she told me, all excited. “I came up with it myself. It’s mayonnaise with pineapple juice mixed in!” Read the rest of this entry »
I live a couple blocks away from the Brooklyn base of the Williamsburg Bridge. Walking over it never gets old. Whenever I have friends visiting from out of town, I always take them on a walk over into the Lower East Side. It’s completely free and the views are so classic, so stimulating. I love how the graffiti on the bridge grows like barnacles, flourishing, dying and getting painted right over. The light’s always perfect from one angle or another, and I always see something that just blows my mind into a million crinkly pieces.
Danielle and Ezra are two of my favorite friends, and when they were here this weekend the bridge delivered. I got this shot on my iPhone — something about the blurriness of the low-budget image sensor really adds to the beauty for me.
This essay is by my friend, muse, and hero(ine), the irrepressible Juliet. She pitched it to any number of papers in Philadelphia and failed — as you’ll see in just a moment, it probably wasn’t her fault.
Philadelphia has a problem with its statuary: we build lavish monuments to to the wrong people while letting the right ones go unmarked.
We have statues of people who polarized us (Frank Rizzo), who could have cared less about us (Charles Dickens) or who never existed (Rocky Balboa). Meanwhile, we overlook people who logged real time here and did great things.
This problem has a solution: put a big-ass statue of the title character from the movie Eraserhead, directed by former Philadelphia resident David Lynch, at the corner of 13th and Wood. Read the rest of this entry »
The five minutes I spent seeing the band below play on the L train platform at Union Square were way better than the hour and a half I spent in the theater watching “Bruno” immediately afterwards.
But this isn’t a film review here – this is exactly why I live in New York. I just spent a little time in Missoula, and while there were plenty of dirty dreadlocks and bongos out in the street out there, there wasn’t NOTHIN’ like this. This was like The Flaming Lips meets Soul Jazz with just a touch of the bear-and-a-BJ clip from the Shining.
I accidentally covered the mike on my phone with my thumb there for about 30 seconds or so. The sound’ll come back, don’t worry:
The unstoppable force of nature that is Juliet Wayne gave me this painting as a get-well gift recently.
She said, roughly, “This is a cockroach with only one testicle — I made it for you because roaches are really tough. They’ve been around forever and they can live through anything, and you’re gonna do the same thing.”
It’s rare for me to be speechless, but I really don’t have words to describe how great I feel every time I look at it …
