My grandmother’s real name is Helen, but everyone in my family calls her Daro. It’s one of the first words I ever said, apparently — I just pointed at her and yelled it out and it stuck, simple as that.

Daro is 95 years old. She lied about her age her whole life until she turned 90, and then she started telling EVERYBODY. She’s a relentless self-promoter, a tireless artist, creator, and outsider poet. And man, she’s full of wisdom that she does not mind sharing at all.

Here’s some classic wisdom she shared with me when I visited her over Labor Day weekend:

We were sitting at the dinner table eating a home-cooked meal. Sort of. She proudly announced to me “I never use the oven anymore, Jeffrey. I just do everything up here in the microwave now, and it’s great!” We had some microwaved vegetable soup with a salad of romaine leaves covered with canned pears, and canned peaches. “Try some of the dressing I invented just tonight, Jeffrey,” she told me, all excited. “I came up with it myself. It’s mayonnaise with pineapple juice mixed in!”
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I spent most of the NYC ComicCon lurching in circles with my mouth half-open, hunting for a copy of Detective Comics # 587 and spending way too much money on plastic bullshit that reminds me of my childhood. The experience was spectacular.

I haven’t been to a comic book convention since 1991, in Virginia Beach — the whole enterprise was dusty, pasty and pungent. Not now, baby. Now that comics, computers and sci-fi are billion dollar businesses, nerds are out of the basement and blinking in the klieg lights. Pop culture’s always been a byproduct of marketing campaigns, but we are now in a golden age of hype and shiny bullshit.

Today’s thirtysomethings were the target audience back in the ’70s and ’80s when Star Wars, Indiana Jones, and other pop mythologies did the first Triple Lindy into the collective consciousness. Now we’re just old enough to have kids who get just as pumped about Star Wars as we did, and fetishizing fictional universes is a family affair.

Whenever alien archaeologists unearth whatever temples we leave behind, they’re gonna think that Spiderman was our God and stormtroopers were some kind of high priests. Frankly, I’m thrilled. Digging through comic boxes and buckets of chipped action figures gets me all stoked and unstuck in time and I get the same sense of wow, cool wonder that I got when my dad took me to see Star Wars for the first time.

But this thing was for everybody. Really, it was just like the Mermaid Parade except indoors and marginally less sexualized. The people-watching and the costumes were spectacular and totally worth the admission price.

This is my favorite photo from this weekend’s NYC ComicCon, but there’s a lot more after the jump:

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Grey and foggy days used to terrify me. As a small child, I’d have full-blown panic attacks when I was in the woods or even tall grass with my family on an overcast, misty day. I was sure that a rotting arm would punch its way up through the dirt and grab my ankle. Or worse, the undead would snatch my family and spare me, leaving me in the world utterly alone.

I spent a lot of time alone in the car reading X-Men comics in those years, on the grey fall days when my mom and dad would want to get out into the country as a family and get some fresh air in the country.

“Fuck togetherness, there’s zombies out there,” I’d think, huddling down onto the floor of the car after my mom got tired of pleading me to come outside.

For some reason, the zombies were out to torture me and me only. I knew my family would be safe if I wasn’t with them — the undead would just lie there and let them pass unmolested, leave them to move around like the rest of the earth’s walking meat. As the Chosen One, sworn enemy of the non-living, I had a responsibility to protect my family and sometimes it got a little lonely.

Then “The Day After” came out and the whole game changed.
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