UNPROTECTED at the Music Hall of Williamsburg

Originally uploaded by chinese_fashion

A few years ago, I saw God’s most hated haircut rocking around Williamsburg. And I was motivated to write a blog post about it, complete with a drawing on my office’s whiteboard of the thing. “Thing” is a relevant term here, too.

I’m not opposed to outlandish spectacles or ridiculous self-expression, mind you. I made that pretty clear, too.

BoingBoing picked it up, and so did Gawker. It was fun while it lasted, watching the traffic spike and getting a bunch of comments and generally feeling brilliant and witty and bright.

I started feeling pretty bad about all this fun at someone else’s expense, though.

But whatever. Fast-forward two years to last week when I got an e-mail from a nice young man named Zachary Timm:

I am making a short film about the infamous Williamsburg Hair, that you made so popular a year or so back. The film is going to be screened exclusively at the Filmshop Presents Unprotected film screening @ Music Hall of Williamsburg, on Saturday, February 27th. The film is basically about his experience and unwanted celebrity that came from the coverage on your site and gawker. Since you had such a big part in the story I figured this would be a great follow up blog post for And I Am Not Lying since this will basically be the first time Chris speaks up about the experience.

You read it right. My blog post two years ago was the impetus for a short film that’s screening at the Music Hall of Williamsburg at 66 North 6th Street, Brooklyn this Saturday, 2/27. Doors are at 8PM. Click on the image of the poster (above) for more details.

I’ll be damned. I’ll be there to check it out, shake Chris’s hand and have a laugh — hope to see you all there, too.

I checked with Zachary — wanted to make sure there wasn’t any bad blood or anything. He assured me there wasn’t, and sent this photo as proof:

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I spent most of the NYC ComicCon lurching in circles with my mouth half-open, hunting for a copy of Detective Comics # 587 and spending way too much money on plastic bullshit that reminds me of my childhood. The experience was spectacular.

I haven’t been to a comic book convention since 1991, in Virginia Beach — the whole enterprise was dusty, pasty and pungent. Not now, baby. Now that comics, computers and sci-fi are billion dollar businesses, nerds are out of the basement and blinking in the klieg lights. Pop culture’s always been a byproduct of marketing campaigns, but we are now in a golden age of hype and shiny bullshit.

Today’s thirtysomethings were the target audience back in the ’70s and ’80s when Star Wars, Indiana Jones, and other pop mythologies did the first Triple Lindy into the collective consciousness. Now we’re just old enough to have kids who get just as pumped about Star Wars as we did, and fetishizing fictional universes is a family affair.

Whenever alien archaeologists unearth whatever temples we leave behind, they’re gonna think that Spiderman was our God and stormtroopers were some kind of high priests. Frankly, I’m thrilled. Digging through comic boxes and buckets of chipped action figures gets me all stoked and unstuck in time and I get the same sense of wow, cool wonder that I got when my dad took me to see Star Wars for the first time.

But this thing was for everybody. Really, it was just like the Mermaid Parade except indoors and marginally less sexualized. The people-watching and the costumes were spectacular and totally worth the admission price.

This is my favorite photo from this weekend’s NYC ComicCon, but there’s a lot more after the jump:

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I wear a three-piece suit to work every day now. Now punk rock’s a prepackaged dream, a preservative-riddled batter you can spray out of a can and into your lifestyle, cook it up and presto, instant rebellion. Music’s not scary anymore, and when people howl and flail at their guitars it’s an animatronic history lesson, not the real thing.

Also those damn kids keep running on my lawn.

I don’t mean to be cranky and morose. But Lux Interior died today, and the world’s a lot more boring without the Cramps.

I made this photo in the Sleeveface style as my own little R.I.P.

Bonus points if you see that I’m wearing the album cover on my t-shirt, too.

I wrote a little story about my relationship to Lux and the Cramps — check it out after the jump if you like.
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Today is national fix-the-country day, and it’s gonna be a long one. No matter what side you’re on, you’re probably sick of the campaigning by now. As a little distraction from all the election-related news you’re sure to be drowning in, I thought I’d post a video of me telling the story of Royal Quiet Deluxe, (chicken band) at The Moth.

By way of comparison, you can read a written version of the story here.

The story links to one of our recordings, made with a primitive drum machine, delay/loop pedal, and my tireless prattling.

The following track, though, is a different sort of sound collage. We recorded it on the front porch of Tim’s parent’s place out in Botetourt County, VA, one hot summer evening. You can hear crickets and locusts in the background, something I think is pretty cool. I am playing the typewriter as percussion here, Tim is playing guitar, and the chickens are pecking and vocalizing. Tim mixed in a recording about Exotic Newcastle Disease in Southern California that was recorded over the telephone many years later, and presto — you have:

Exotic Newcastle Disease, by Royal Quiet Deluxe

There’s one more story in this saga. I’ve told it onstage at a Moth event recently, and I’m waiting to get ahold of the video so I can crunch it and post it here — and I’m working on the text version for those of you that want the full-on boxed-set experience. Suffice it to say that while the Internet has helped me find a whole new audience for this band that I never thought existed, I am 100 percent positive that the Reverend Al Sharpton still thinks the whole concept of Royal Quiet Deluxe is the stupidest thing he’s ever heard.

You can see a story by The Moth’s Jim O’Grady here:

Jim O’Grady on “Respect”

And a story by The Moth’s Juliet here:

Juliet Tells the Tale of ‘Mannequin Dan’

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The previously mentioned lord and master of 21st-century New York subway graffiti is at it again. He’s started a Flickr page under the name “Poster Boy NYC” with a lot more images, but these are the ones I liked the best out of the current crop of new releases.

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It starts with a simple, relentless drumbeat, punctuated with a catchy, almost tribal woodblock sound. Then the pulsing synth starts and you just feel the whole rollercoaster lurch away from your feet and you drop into a throat-hitching freefall, esophagus rippling while your heart screams with ecstasy.

It samples a bunch of the awesomest movies ever like Blade Runner, A Clockwork Orange, Scarface.

Maybe it sounds like steam rising off a jungle or a low, purple-red sun rising in a time-lapse movie of a highway jammed with traffic, fog burning away. It sounds like aerobics, but the cool kind. Like the aerobics in a montage from a very inspirational Hollywood movie about training to whip somebody’s ass in a dystopian future. There’s one thing that’s very clear about the hidden message in this song, though: there’s a great big busy productive world happening out there, and just for this one day, you want no part of it.

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Found on the streets of Bed-Stuy, this bike is the baddest thing on earth, in heaven and on any astral plane you care to imagine. Ghost Rider is pushing a played-out second-hand Green Machine with a cracked front wheel compared to this three-wheeled death chariot …

I found these photos on the incomparable blog New York Shitty– check out some of Miss Heather’s fantastic photos here, too.

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My friend Eric called me up late the other night from somewhere outside of Barcade, panting breathlessly in the cold. “Dude, don’t go to bed yet,” he said. “I’m bringing something over for you.”

And what a something it was! In its heyday, he looked like this, functioning as an expensive karaoke toy.

More photos after the jump …

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I don’t make a single dime off this blog, but that doesn’t mean it doesn’t pay off big-time. I don’t have ads or a large readership, but apparently my influence is enough that people are imitating things they see on here … something that might get them hurt or killed slowly through sheer fat absorption.

Take Bret Wallin, for example. He and literally hundreds of thousands of other people saw the post a little whole back about that ridiculous Franken-fast food pizza. And while some folks thought “yeah, I’d taste that,” Bret said “who’s got a Boboli crust” and MADE one. Actually, he made several:

My friends and I definitely tried our hand at making a couple McDonald’s pizzas. The first was exactly like the pictures you posted – each fast food kept to it’s own kind. The second, though, we chopped up the fries, nuggets, and burgers to spread out the toppings more traditionally.

A really fun time, for sure. We felt that the pickle was surprisingly one of the emergent tastes (as well as the ketchup and mustard to some degree). I first saw a link to your post (I think) on the site Kissing Suzy Kolber. I was visiting some old college friends and I knew right then – “we have to make that… we have to make it TONIGHT!”

And we did. Like I said, a great time. Most everybody felt fine except a couple guys had three slices. That sort of knocked them out for a little bit.

Understandably.

So wait. They made one of these things, ate it, then turned right around and made ANOTHER one. You know, to get it right.

This is why I use my fingers and eyes to make love to the Internet all day long.

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You think you know what’s right and what’s wrong, think you got it all figured out when it comes to video game etiquette and music and style, and then one night winds everything up like a tangled nest of clock springs and throws all your tools right off the bench.

I was teaching some friends the finer points of Big Buck Hunter II at the East River on Saturday night. The bar was packed and the game was old and fast, blurry deer rocketing around the screen which would’ve been hard enough except we’d been impairing our hand-eye coordination around the corner for a few hours, too.

You’ve got to stand back a bit from the machine just to give it a fair go, and it was right as I was trying to explain that the bucks usually hide behind the does and sometimes you’ve gotta give a blast into the air to get things moving that this dude tried to walk between the machine and the little neon plastic shotgun.

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