The last few weeks have been a blur of shows for me, Brad and Cyndi. All this performing is like training for a fight: you hit that bag hard for a month so you can bring it HARD when the bell rings for real.

All this is to say that it’s time once again to leave a pair of smoking rubber tracks on stage at Union Hall with the And I Am Not Lying LIVE show, cock-rocking the NPR crowd with the best comedy, storytelling and burlesque in NYC.

If that tiny bit of promo copy that I half-assed during a conference call was enough to make you want to get tickets already, you can do that here: And I Am Not Lying LIVE at Union Hall on May 1.

Here’s a poster, more on the performers after the jump:

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If you’re coming here via Jason Zinoman’s piece “Telling Tales With a Tear and a Smile” in this morning’s New York Times, stick around.

If you’re reading this as a long-time follower of this blog, none of this material is going to be new to you. I’m re-flogging some older stuff, so maybe this is a good time to push away from the computer and go enjoy a nice spring day outside.

I want to shamelessly take full advantage of the mention to show off what the And I Am Not Lying show is all about here. Because frankly, not only am I proud of the work that we do and thrilled to see the storytelling world getting a little credit … I want to put asses in seats on the first Tuesday of every month at Union Hall.

Brad Lawrence, Cyndi Freeman and I put on a monthly show featuring storytelling, comedy, burlesque and sideshow — and I want to share some of the stories that we’ve done there. We’ve only had a residency there since February, so we’re still building up some steam. But all of us do a TON of other shows around town, too.

Consider this a primer, dive deeper if you want. Today is functionally a Friday anyway, so go ahead and watch all of these at work.

Al Sharpton vs. Royal Quiet Deluxe, Chicken Band

These are two stories by Brad Lawrence:

Gift From A Chimp In Saint Louis

Sometimes Cyndi ties her burlesque acts to her stories, and the end result is bigger than either piece seperately. So here’s a story by Cyndi Freeman, with a pretty direct tie into the burlesque act immediately following:

Here’s the aforementioned burlesque act from our show, featuring Cyndi Freeman, Brad Lawrence and Apathy Angel:

We have comedy guests, storytellers, and sideshow performers, too – including a bullwhip/lasso expert and a sword swallower.

You can follow us here, on Twitter @andiamnotlying or on our Facebook page. And I hope we see you soon.

The New York Times gave me a tiny shout-out this evening in a piece about the storytelling scene in New York City. I am referred to as “imposing,” which is confusing, but I’ll take it as a compliment. I strongly encourage that you run right out and read the whole thing. Cyndi Freeman gets a mention in there, too, as well as a bunch of other folks that I am honored to consider peers. The mighty Adam Wade gets some serious ink, too.

Here’s an excerpt that I think is the core of the piece, referring to my friend Ophira Eisenberg:

She explores the taboo, but without the persistent relief provided by consistent punch lines. In doing that, she shows how a story can use humor but not be shackled to it, how it can be emotional without pandering, and how difficult ideas can be articulated entertainingly.
What she demonstrates is that storytelling can give a certain kind of comedy a chance to grow.

Storytelling has grown a lot beyond regular Moth slams. The Moth was the Big Bang that coalesced into the sun for this whole thing, but now a bunch of other planets are cooling and growing their own life forms. The following is a list of storytelling shows that I’d recommend checking out in the city. I’ve been in most of these, and am friends with folks that run all of them.

A lot of these shows don’t have a lot in the way of a Web presence. I hate linking to Facebook pages, but that’s the world we live in — crafting stories and running shows takes a lot of energy, and so does running a website. At this point in my life I’d rather have “writer/performer” etched on my tombstone than “blogger”. Anyway, here they go:

Liar Show
Real Characters
Told!
BTK Band
Nights of Our Lives
The Story Collider
Ask Me
How I Learned
The Soundtrack Series
Adam Wade has a BUNCH:

• Tales of the Cosmos
• Whatever Happened to the Nerds
• Adam Wade From New Hampshire
• Super Stories

I can also see how Moth story slams would be intimidating to people that are new to this. They’re huge, with lines around the block and they sell out pretty much every time. There’s also no guarantee that you’ll even get picked. And if you do get picked, you’re pretty much screwed out of a decent score unless you get picked fifth through tenth. By the fifth storyteller the booze kicks in, scores start to loosen up and judges figure out what the hell they’re even doing.

Frankly, these things should be a little intimidating to first-time performers. Anyone who just thinks “what the hell, I’ll just jump on stage for the first time in front of 400 people and be awesome like I always am, every day of my life” is missing a critical component to their personality and is likely going to embarrass everyone in the room except themselves. I’ve seen this happen. A lot.

You should get on stage and do it anyway, but a little fear is a good thing. It means you’re taking it seriously.

None of the following open mics were around when I started going to the Moth. If they had been, I’d have definitely tried my stories out at these first. I’m not saying that there’s a right or wrong way to do any of this stuff. Any door you find is one you can walk through.

But if you happen to want to workshop a story yourself or test it out in a lower-stakes environment — hell, sometimes the crowd is barely even paying attention — you could do a lot worse than to check these out. In order to win a fight you’ve got to spend a lot of time doing pushups and hitting the bag to get ready for five intense minutes. It’s the same principle here.

The following places are where I go to practice:

Phoning it In – Lukas Kaiser runs this open mic Monday-Thursday in somebody else’s apartment in Tribeca. It’s a warm room, supportive, and sometimes a woman walks straight through with a baby in a stroller and disappears in the back.

Kambri Crews’ “What’s Your Story” held monthly at Luca Lounge. You pretty much have to find this on Facebook or go to Luca Lounge and check it out first.

I Like You, Maude

Oh, Hey Guys at UCB East

Like anything else, there’s an etiquette. If you’re brand new to any of this, I’d recommend showing up and checking a show out first, then introducing yourself afterwards. Get to know folks, connect online. Pretty soon the whole thing will blossom and you’ll be tired of all the emails, updates, and Facebook events. And eventually, your brain will hurt from all of it and you’ll have nightmares abut your own show.

Congratulations: you’ve arrived.

In all of this SXSW and engagement excitement, I almost forgot to mention:

It’s time once again to cock-rock the NPR crowd with New York’s first, only, and best comedy storytelling burlesque sideshow at Union Hall on Tuesday, April 3rd.

Show’s at 8, tickets are $10, available here: And I Am Not Lying LIVE at Union Hall

AS always, here’s a fun trailer for the thing:

We’re a “Critic’s Pick” in Time Out NY this week, which is pretty exciting! I don’t know if that’s an endorsement or just a button somebody clicked, but we’ll take it.

This month’s show features:

Comedy by
Andy Ross (Real Characters, The Onion)

Burlesque by
Dangrr Doll (Gotham Burlesque, D20 Burlesque)

Belly Dance by
Madame X (a complete mystery)

As well as storytelling by

Brad Lawrence
Cyndi Freeman
Jeff Simmermon (me)

Hope you guys can join us!

You may have heard that we were putting on a whole bunch of storytelling, comedy, and related events as And I Am Not Lying in Palm Park SXSW on March 10th. We’re still doing them, but not in the park.

The tent at Palm Park is completely flooded. I went over there this afternoon to check it out and there was an entire ecosystem developing under all the folding chairs, right there in front of the stage.

So we’re moving everything just up the street a block or two. Now ALL of the And I Am Not Lying events will be at:

The Hilton Garden Inn Downtown Austin
18th Floor, in the Colorado and Red River rooms
500 North IH-35, Austin TX

The hotel is on the corner of 5th and I-35/Frontage Rd (2 blocks towards the highway past Red River). Note that this is NOT the Hilton immediately beside the convention center, but just a few blocks away.

Here’s a link to a map.
And here is an updated flyer graphic to keep on your smartphone or frame for posterity or whatever.

All the event times and content will remain the same:

11:00am – 12:00pm: PANEL DISCUSSION “From Basement Burlesque to the Boardroom”
12:00pm – 1:00pm: BASICS OF COMEDY IMPROV WORKSHOP
1:00pm – 2:00pm: STORYTELLING WORKSHOP
2:00pm – 3:00pm: STORYTELLING OPEN MIC
3:00pm – 4:00pm: THE WORLD’S FIRST CROWD-SOURCED VARIETY SHOW
4:00pm – 6:00pm: AND I AM NOT LYING – LIVE

The act of telling personal stories about one’s own life takes a certain amount of a certain type of nerve — mostly the “who the hell do you think you are” variety. Seriously: why should anyone give a whoop about my feelings about my feelings?

That feeling gets even weirder when I’m using the Internet as a megaphone to get people to my shows. “Who the fuck do you think you are telling everyone to come see whoever the hell it is you think you are” is pretty much the refrain that runs through my head every time I bathe my face in the cool glow of one rectangle or another.

But screw all that, we’ve been busting our asses to pull together a HELL of a week of shows this week in Brooklyn and Austin, TX for SXSW and I want to pull ‘em all together in one place, then crop-dust the whole Internet with ‘em all damn week.

First: We’re cock-rocking the NPR crowd with And I Am Not Lying – Live, NYC’s only comedy storytelling burlesque sideshow on Tuesday, March 6th at Union Hall in Brooklyn. You’ll see stories by me, Brad Lawrence, and Cyndi Freeman as well as magic by Albert Cadabra, burlesque by Cherry Pitz and Little Brooklyn and comedy by Wil Sylvince.

We strongly recommend advance tickets (only $10), which you can get here: And I Am Not Lying at Union Hall, Brooklyn

More info/flyer here, cool trailer here and embedded below:

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I’ve got a real love/hate relationship with Virginia’s post-punk and hardcore scene. When I look back on it, I find the scene as a whole creatively constrained and kind of stifling — it was this kind of styleized suburban orthodox dudefest of screamed vocals and far-left political statements set to guitar feedback and complicated drums.

But look, man: if you hated sports a little and frat-culture a lot in the late ’80s and early ’90s, what else were you going to do? Punk and hardcore had a low barrier to entry then – just get yourself a guitar, a garage and couple other guys and add a few metric apeloads of sweat and willpower. You could turn a pizza parlor, VFW hall or urine-soaked living room into a mothership full of people that were just ROCKING THE FUCK OUT with you at the helm.

My musical efforts at that time were stranger and less accessible.

I met almost all of my best, tightest, life-long friends at these shows. We made bands, made tapes, played records, took road trips to the Black Cat in DC and Twister’s in Richmond together, and ate a WHOLE lot of hash browns at truckstops in the middle of the night together. I went to a lot of weddings and I’ll go to a lot of funerals because of the people I met back then. We shepherded each other along the messy, complicated path into adult life, and I plan to return the favors on the way out.

Some of my best friends in college – the kindest, strangest, funniest guys in the world – formed the Sleepytime Trio. And when they played in our tiny living room in Harrisonburg, VA, the energy was Thor banging his hammer on the ground. Lightning bolts connected everybody and people dove off the mantle and jumped out the windows … before opening them.

Everytime they played, something got broken, someone got hurt and everyone in the room took a malt-liquor shower together and we smiled about it real hard, too. Because we all knew that nothing this awesome was happening for hundreds of miles around this tiny little mountain town and we all made it together.

Here’s the Sleepytime Trio playing at ABC No Rio back in the late ’90s. This looks and sounds a LOT like my living room did when I was in college.

So I’m really, really honored and exceptionally stoked to be MC-ing the Slip/Lovitt Party at SXSW on March 15th — featuring a rare and raw Sleepytime Trio reunion. There are 8 bands, and I’ll be telling stories between all of them. You don’t need a badge or anything, just earplugs. And maybe some extra deodorant.

See, that love/hate thing – it’s not really hate. It’s the natural flipside of a nurturing relationship. You will always resent the thing that makes you just enough to get out on your own. It’s scary out there, and if you didn’t push yourself away, you’d still live in your mom’s attic.

For me, this thing’s like coming home for Christmas. We’re all grown up, and we’re all going to rock this thing as hard as we know how.

For the rest of you, the show ought to be really fun, especially if you like hanging out with dudes in cargo shorts who still buy 7″ records. Hope you can make it.

Made this on my iPhone on the train this morning – started with this photo of a Robocop action figure on my phone and ran it through the usual bash of filters. I’m trying not to obsess about the upcoming show at Union Hall and the SXSW tent – after spending a weekend navigating the murky, weird world of Facebook advertising I just need to create something instead of promote stuff for a little while.

Hope you guys dig it:

March is gonna be nuts for us. We have all this stuff going on at South by Southwest, and our regular monthly show at Union Hall in the same fricking week.

The Union Hall show is on Tuesday, March 6th, 2012, 8PM. Tickets are ten dollars. We strongly recommend buying advance tickets, which you can get here:

Advance Tickets to And I Am Not Lying at Union Hall.

This month’s is going to be a doozy, friends – we’ve got:

• Comedy from Wil Sylvince
• Burlesque by Little Brooklyn and Cherry Pitz
• Storytelling by Jeff Simmermon (me), Brad Lawrence, Cyndi Freeman
• and MAGIC by Albert Cadabra

I made this flyer for it, too – I thought it was cool, anyway. I’m really into that grindhouse-cinema look.

As always, here is a fun trailer we made to promote the show:

And if you’re coming over from The Hairpin, you may want to check out this video of Cyndi at her tassel-twirling finest:

Hope we see you there!

party park

Originally uploaded by greggrestonva

Via Flickr:

UPDATE – 3.9.2012

The tent at Palm Park is flooded out – there’s a whole ecosystem in there underneath the folding chairs. We are moving ALL of the And I Am Not Lying events scheduled for March 10th at SXSW to the Hilton Garden Inn in Downtown Austin – just a few blocks from Palm Park and the convention center. The hotel is at 500 North IH-35/Frontage Road, Austin, TX. Here’s a map.

Our stuff is now going to be on the 18th floor of the Hilton Garden Inn in Downtown Austin in the Colorado and Red River rooms. The content and times will stay exactly the same.

Last week (I think) I may have mentioned that we’re putting on a whole tentload of activities at South By Southwest Interactive this year. If I am completely honest, it’s all I can do not to tear my shirt off and swing through the streets of New York screaming about this like a somewhat flabbier Tarzan.

We’ve finally gotten some stuff locked down with the tent and the order of events, and I just wanted to use this blog post to detail everything so you, me, and airbody else can hose down the Internet with this thing.

First of all: all of this takes place on March 10, 2012 in a tent in Palm Park, adjacent to the Austin Convention Center. Map here.

We’ve got a Tumblr blog set up especially for news about this which you can see here: And I Am Not Lying at SXSW. You can follow us on Twitter at @andiamnotlying and/or by using the hashtag #notlyingSXSW.

The And I Am Not Lying tent will be next to a tent sponsored by Miller. Miller will be giving badgeholders 2 free beers apiece. So there’s that to look forward to.

We’re going to be offering programming based around standup comedy, improv, and storytelling from 11 AM to 6PM, all day long. That programming is predicated around this one simple concept:

Stories are ancient and awesome, everyone loves to laugh, and Web conferences – even the best Web conference in the world – can get SO. FRICKING. BORING.

It’s not really the fault of the programmers. It’s just that … sitting there with a bunch of people while looking at a Powerpoint presentation is not that inherently exciting. Sitting around and pretending to be fascinated while someone guy in a blue dress shirt says “we’re going to leverage the API to drive traffic into out key niche markets, improving ROI and capture metrics” is exhausting. Doubly so when it comes from someone that works in marketing.

A lot of panelists are there to sell you something, to flog their book or promote their startup. We’re not. The only thing we’re trying to sell is our skill as storytellers and comics, and maybe get some better shows out of it in towns that we’d like to visit.

We’re going to sell that to you by being awesome at what it is we do: telling stories and making people laugh.

I know a lot of people come to Interactive for work, and are under some pressure to demonstrate what they learned and justify the expense. We think you learn more when you’re having fun – and honestly, what’s the better learning environment? The dim and stuffy conference room with flickering fluorescent lights, and a guy droning on about “leveraging the power of digital storytelling in a Web 2.0 environment” — or the people that do this on stages, in boardrooms and in burlesque bars 5-20 times a week? This stuff applies to pretty much any discipline, really.

Here’s a breakdown of what we’re offering, hour-by-hour. This is the copy I submitted to the folks at SXSW, anyway, but it’s not on the official schedule or the SXSW app yet, so you may have to write it down on your hand or something:

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