Check out the latest video mashup “premake” by Ivan Guerrero – a trailer for a 1952 version of The Avengers movie, based on Marvel’s “Secret Invasion” storyline, spliced together from over 50 different sources of footage:
And then, to get a real sense of the buckets of attention to detail, skill, love, and sheer nerdiness that went into this, watch it again with Ivan’s annotations (below). He calls out all of the character and location cameos that you might have missed, and even breaks down the typographical references in the title cards! (Pause the video each time a note box pops up.) Read the rest of this entry »
My self-promotion-averse co-blogger D.Billy has been colossally busy as of late. He was responsible for having to help prep Cooper Union for Obama’s visit this week, a task that I’m sure glad I didn’t have to perform. I can barely remember to put out a fresh roll of toilet paper when people come over to my place.
D.Billy’s also been slogging it up and down 95 on various buses to see his lady, a process that I am abundantly familiar with. That really, really sucks, because you can’t even complain about it properly. I mean, shit, you still got a girlfriend at the end of the bus ride, right, so who are you to fuss?
There is ALWAYS somebody who is either 1) freestyle rapping to their headphones 2) eating something deep-fried or 3) wearing huge sunglasses and an empire-waist dress and talking in a nasal whine about some guy they’re “just hanging out with, whatever,” on the four-hour slog out of New York on the bus on a Friday night, though. And lady at the end or not, that gets mighty old.
None of this is a valid excuse for not blogging much, though. The real reason this blog’s been fallow lately: we both just tired as hell.
I’m pleased to report that D.Billy has not been too busy or tired to throw up a new Site Intervention, though. Check this bad thing out:
A while back, the folks at Gestalten included a few of my site intervention projects in a lovely book called Tangible: High Touch Visuals.
I highly recommend it, and its sister book Tactile. They’re both chock full of excellent artists and designers, and I break them out in a fit of “you-gotta-check-this-stuff-out” fever to anyone who comes anywhere near my bookshelves.
I am absolutely thrilled to share a volume with people like Mark Jenkins, Joshua Allen Harris, William Lamson and tons of other artists who endeavor to smack the urban landscape with the giant cartoon glove of whimsy, and I hope y’all will check it out.
Urban Interventions is 69 beans if you buy it direct, BUT, as of this posting, it’s 37% off if you buy it on Amazon!
Or you can just wait until it’s in the big bookstores and hunker down between the rows, all sprawled out taking up aisle space.
I know how you do, ’cause I do it too.
In early 2004 I was an assistant to a kangaroo shooter in the Australian Outback. Pretty much the only experience more bizarre and terrifying would be if I were to have worked with a kangaroo shooter at the National Zoo.
Before you go getting all fired up, remember that kangaroos are pests in Australia, and people eat their meat all the time. And meat does not just cheerfully lie itself down on the burger bun, either. Kangaroo meat is as free-range and organic as it gets, but you’ve still got to do a fair bit of old-fashioned killing to make it happen — and the process is disturbing, gory, and pretty hideous. Not unlike the rest of nature, the parts they don’t show you on the television programs.
But not a day goes by that I don’t think of that experience in some way or another. It taught me a lot. I learned to get tough, how to do some hard, hard work, and how to put aside all my pussified city liberal ideas and face the realities of the food chain.
I told this story at The Moth on October 22, 2009. I’d told it at the Moth last year, as well as at The Liar Show, Risk!, and Seth Lind’s Told. I’ve also told parts of this story to pretty much anyone that will sit still in my presence since early 2004. I think D.Billy, my co-blogger here, has seen me tell the thing each time, too.
I’ve pitched it to This American Life twice now, and had Ira Glass personally tell me to my face, that while he really likes the story as long as he is a broadcaster in the United States of America, it will not appear on his show. He was actually really nice about it – and he’s right. The story, in its original and best incarnation, has tons of appalling gore in it, the killing of defenseless baby kangaroos and uses the word “cunt” more times in ten minutes than most Americans have heard in their entire lives. And cutting that stuff out kinda neuters the whole enterprise.
If I’m this sick of telling this story, I can only imagine how tired my friends are of hearing it. And I’ve sure made a lot of hay off the experience on this blog.
Unless something tremendous happens, I feel like I can safely say that this story’s been done to death and put to bed here in New York City. It feels good to be all the way through this one and kinda wipe the slate clean for a batch of new stuff.
On the other hand, I’m about to go to Australia again for two weeks starting Saturday. And if I can claw my way in front of a microphone after a couple or six VBs, this thing might rise again. If any of you know of storytelling shows or reading series or something similar in Adelaide or Melbourne, please let me know. I’d love to try this or other stories in front of an Aussie audience.
As the weather has gotten nicer and the day job has slowed down, I’ve been able to get out into the world with the bag o’ art materials here and there. Here are a couple of interventions that I slapped down recently:
APRIL 3 – JUNE 12, 2009 SYNTHESIS : CONTEMPORARY COLLAGE Carroll Square Gallery, 975 F Street NW, Washington DC 20004
OPENING: Friday, April 3, 6 – 8pm
CURATED BY HEMPHILL FINE ARTS, and FEATURING WORKS BY:
D.Billy | Billy Colbert | Nathan Gluck | Franz Jantzen | Camila Rivera-Morales | Holli Schorno | Al Souza | Daniel Tierny
These are my contributions to the show… but you’ll have to swing by the gallery to check out the excellent work by the other seven artists. And, of course, to get the full sensory experience of my pieces… which may or may not include olfactory overtones of the studio environment in which they were created. (Hint: think propane heater, macaroni and cheese, Mexican Coca-Cola, and cats.*)
*Kidding. They’re unscented and hypo-allergenic. I swear.
I was walking through the Times Square subway station last night, on my way to see Watchmen with Jeff and a few of our fellow thirtysomething nerdboys, when I spotted three identical payphones, side-by-side on a clean tile wall, just begging for something to be tacked on. So I pulled out a Sharpie and some manila tags that I’ve been carrying for just such an occasion, and designated one phone each for calls to the Past, Present, and Future.
More photos — including a couple with a test subject — after the jump.
I’m thrilled that my good friend and co-blogger D.Billy has artwork in a very cool new book! He hates promoting himself, so I’m going to have to do this for him, like it or not. The book itself looks really cool, and I’m proud of him for getting into the thing.
“Proud,” though, it connotes a certain condescension. Frankly, I’m happy and just a little jealous, minus the destructive aspect of jealousy. I’m hapealous. But whatever. Here’s the book and a blurb:
In such a digitally dominant world, Gestalten’s new book, Tangible: High Touch Visuals, is a reminder of the pleasure of the physical. Tangible is the third in a series of books starting with Hidden Track: How Visual Culture Is Going Places (2005) and Tactile: High Touch Visuals (2007) and explores the trend towards designers creating dioramas, sculptures and other physical environments.
They were nice enough to invite me to participate, thanks in part to my friend and former roomate Steve Frost, an excellent artist who has work in the show himself.
Sadly, I won’t be able to make it down for the opening, so if you’re in the DC area, go and represent!
If you do plan on going and want to pretend that you’re me, these are the new collages about which you’ll need to make up something to say in art-speak:
I recommend heavy use of the word “recontextualized”.
I was pleasantly surprised by the reactions to Jeff’s previous post about my artstuffs — a belated thanks to everyone who reblogged or contacted me for more info — so I thought I’d share a few pics from my most recent outing.